A Woman You Should Meet: Caterina Scorsone

Caterina Scorsone has such a great laugh that it’s unfortunate her character on Grey’s Anatomy doesn’t get to do more of it. As an actress on the notorious weep-fest, Scorsone’s character has run the gamut from drug addiction to the death of her onscreen brother. Through it all, the gorgeous Toronto-native has kept that laugh and her great sense of humour. Especially when it comes to her own crying.

Photo courtesy of Cameron Pashak

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Photos courtesy of Michelle Bandach

First of all, a major character on Grey’s was killed off last season. What was the vibe on set like?

It’s so interesting playing these characters for so many years. You develop a relationship with the character and we’re all fans of the show, we’re all fans of each other. I think we got the script and we knew it was happening and I think there was real…it was the same roller coaster that all of the fans were going through. So, you know, tears, and hugs, and appreciation, and love… it was quite an emotional time, but really beautiful.

Speaking of tears, I can’t help but ugly cry during every episode of Grey’s. Do you have a show that gets you all weepy?

I’d have to say it’s Grey’s Anatomy. That’s part of the experience! There’s no other show, for me, where it’s one stop shopping for all of the emotions. You’re going to laugh, you’re going to blush with romance, and you are going to sob and reconsider your life, in every episode. And there’s not an hour of Grey’s Anatomy where all of those things don’t happen. I have very little time in my schedule and when I need catharsis of all those things, Grey’s is the place I go.

You’ve acted on two medical-themed shows since 2009. Have you picked up any medical jargon? Do you think you can diagnose friends?

I definitely do not feel like that. But, as the story goes, I was finishing up my B.A. and I would unwind after exams by binge watching the first season of Grey’s Anatomy. When I got to the end of it, I was under the misapprehension that I wanted to become a doctor.

So I went to this medical faculty lecture series and by the end I said, ‘I don’t want to be a doctor. In fact, I just want to be on Grey’s Anatomy.’ Although, I will say that I’ve done a lot of reading about brain science. Often I’ve read stuff having to do with all of the things [my character] Amelia has gone through and I will say from a psychological perspective, it’s kind of informed how I see the world.

Your character has had some seriously traumatic things happen to her over the years. How do you wind down after an emotionally draining season?

For me, it usually involves travel to some far-flung place. That’s how I get back to my self. I think Amelia is a really intense character and she requires a lot of emotional energy to play… So to kind of shake it out and get back to my real personality, it helps to kind of go away and explore new things and see the world a little bit.

What’s it like to be able to explore a character so thoroughly over almost seven years?

It’s kind of an actor’s dream to have the opportunity to play a character as multi-dimensional, with so many strengths and so many flaws, but you get to layer on all her experience and all of the stories that you have charted. Over the years, the character becomes even more intricate and interesting. To play that, it’s been a fantastic exercise. And you develop a real love for this alter ego that you’re playing.

What would you like for your character in the future? Maybe a little happiness?

Yes! That would be the next thing. So many heavy, heavy things have happened. And it was all such heavy stuff that I didn’t think we got to spend that much time exploring the joyful, hilarious parts of her personality. I think those are actually dominant for her. She has this tragic core, but the way she navigates the world is through humour and fun, a lot of the time.

You’re a Toronto girl but living elsewhere. What do you miss about the city?

Everything. I am such a fan of Toronto. I think it’s one of those things where I loved it when I lived there, but you can’t fully appreciate the magic of that city until you’ve lived away from it.

The list is so long, from the urban planning and the subways, to the changing seasons, to the cultural integration, to the support for the arts, to the support for education. I just think it’s a really healthy society as well as a really aesthetically pleasing city and I’d love to get back there any second I can.

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Tom Ramshaw knows it better than most: life’s no fun through clear waters.

After skippering his first boat at age 5, racing at the Olympic Games in Rio, and, just last June, competing in the Canada Sail Grand Prix off the coast of Halifax, Ramshaw has spent a lifetime on the water.

Years at sea yield virtues like instinct and adaptability. That’s what it takes to compete at the top. Yet the Toronto-born sailor, now 34, says it was never about the trophies. “I just want to enjoy the experience of competing for Canada on the biggest stage in the sport,” he says. His real hope? Watching “the next generation of young Canadians doing it even bigger and better than my generation.”
The Film Issue is here. Two decades after Black Hawk Down and Pearl Harbor, Josh Hartnett has long since outgrown the archetypal hero. This September, we sit down with one of cinema’s most sought-after talents ahead of TIFF—with Verity and Below on the horizon, what’s next is his most compelling work yet.

Cover full look by @louisvuitton 
Videography @brandonhep 
Photography @rankinarchive 
Styling @dolly.lanvin (@forwardartists)
Grooming @charley.mcewen (@theonly.agency)
Prop Stylist @elliottrooney 
Prop Assistant Jim Charles
Stylist Assistant @marniseabright 
Photo Assistants Charlie Cummings, Olly Dundas
Managing Editor @marcastaldo 
Art Director @donna.militar 
Fashion Director @bananahales 
Director of Digital Content @justinmfrost 
Social Media Manager @roxrubytam
Entertainment Editor @elyciarubin 

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He’s always gone deeper than the surface.

Josh Hartnett covers SHARP September 2026—The Film Issue. On newsstands August 25th.

Full look by @louisvuitton
Photography @rankinarchive 
Styling @dolly.lanvin (@forwardartists)
Grooming @charley.mcewen (@theonly.agency)
Prop Stylist @elliottrooney 
Prop Assistant Jim Charles
Stylist Assistant @marniseabright 
Photo Assistants Charlie Cummings, Olly Dundas
Managing Editor @marcastaldo 
Art Director @donna.militar 
Fashion Director @bananahales 
Director of Digital Content @justinmfrost 
Social Media Manager @roxrubytam
Entertainment Editor @elyciarubin 

#JoshHartnett #SharpMagazine #TheFilmIssue #TIFF